Replydeleteoctober 1

admin    cute cocktail dresses     fashion advice, fashion tips, heeled shoes, latest fashion trends, weight fluctuation

23 comments. ReplyDeleteOctober 1, 2012 at 49 AM

Thank you!

The XRay Dress is soon to become a favorite I am sure that the dress is one of my personal favorites!

Great pics! It’s easy, I was a long time lover/supporter of Sourpuss! Then, thanks for the shout out to Sourpuss! Anyway, thank you!

Sourpuss and that bat attack dress is so cute!

It’s nice to meet people who love what they are doing and are so friendly! Oh, I’m pretty sure I love Sourpuss and top-notch part is that the owners are amazing people I reckon my wallet is due for a sourpuss bat attack dress! You two look wonderful =D Oh yes, I reckon you definitely need a Bat Attack dress, it should look darling on you! WowoIn fact all the clothes are simply beautiful!

You know I couldn’t we’re talking about great photos! Great clothes I love a spooky cocktail party that style of everything works so great together, and has really put a fire under me to get my Halloween prep going.

Lol nice, I’m quite sure I own both those dresses, only the bat dress is in pink, and it’s this bitch to iron.

That will a real poser.

Sourpuss and that bat attack dress is so cute! The entire style of everything works so great together, and has really put a fire under me to get my Halloween prep going. So, we’re talking about great photos!

You know I couldn’t I love Sourpuss and top-notch part is that the owners are amazing people in my opinion my wallet is due for a sourpuss bat attack dress! WowoIn fact all the clothes are simply beautiful! It’s nice to meet people who love what they are doing and are so friendly!

Oh yes, I believe you definitely need a Bat Attack dress, it should look darling on you!

Yet, as fashions become increasingly casual, the perfect party dress is like a secret weapon turning anyone into a rose among daisies. Now that the ‘jeans and T shirts’ plague has reached our fancy restaurants, cocktail parties, and nightclubs, it seems as though no one except cares about dressing up anymore.

You can find chic, ‘well made’ frocks, and afford them, and similar forgotten tidbits of couturiers past. Eventually, vintage ain’t just for commoners. WayneGuite, and making fashion history available to everyone. Loads of info can be found by going online. People connect with fashion history being that clothes are very tangible everyone wears them. For instance, on the blog, it’s for the general public, in my job I get to share it with students. Butthere’s not loads of reputable information out there.

Just in time for the Oscars, WayneGuite helped us compile a gorgeous, ‘decade by decade’ guide to top party dresses of the 20th century, looks as show stopping today as when they first hit the scene.

More than a hundred years ago, you wouldn’t have had enough clothing to designate certain dresses for special occasions. With more ‘ready made’ clothing, fashion production became easier and cheaper. You could now have specialized clothing for different occasions, including parties. Therefore, moving into the 1910s and ’20s, we started to see major upward mobility. It’s a well middleclass women could consume, the economy was great.

Then the literal foundation of the garment is of much lower quality, not only are the rhinestones and fabrics cheaper today. As long as there was still this notion that the foundation had to be good, they all have ‘built in’ boning, the collection I currently work with has some cheap 1950s dresses, things you would’ve bought at an inexpensive department store. Socialite Betsy von Furstenberg and friends getting dressed in a Look magazine article from When the strapless dress first became popular, its structural foundation was much stronger compared to modern dresses of stretch fabric. Loads of info can be found easily online. You can’t see corsetry built into a dress anymore, unless you’re buying expensive formalwear. Via shorpy.

Friends Sponsors.

Instead of better tailoring or putting in boning or a petersham, Nowadays, designers make up a lot through stretch fabrics, that was like a waistband that was put inside a dress to attach the bodice to your waist.

While meaning they weren’t being held up at the bust it was the woman’s waist and her hips that held up the dress, most strapless dresses in the 1950s were boned and had petershams. These dresses hug the breasts, and that’s not a very good foundation for a garment. Your foundation should be much lower, and there was no need to hike up the dress. They fal off, you have these beautiful dresses that the bride and bridesmaids are constantly hiking up being that they’re attached with cheap stretch fabric.

The party dress is definitely more casual now, and there’s a much wider various silhouettes and styles.

People wouldn’t even know you wore very similar dress repeatedly, you didn’t have as many parties to go to. You weren’t will be photographed and have your pictures spread around. It’s not a big deal when only the people at that event see your dress. Because it didn’t matter if you wore really similar dress, you didn’t have dresses for different occasions. So if you were wealthy enough to have a party dress, one hundred years ago, you didn’t own a huge variety. Most middleclass women would have had one good dress to wear for evening, parties, weddings, and similar formal occasions.

Left, Poiret’s famous lampshade dress circa Via the vam. There wasn’t a whole lot of purity in fashion it was an amalgamation of all these cultures rolled into one garment. Styles from different Eastern countries were often melded into one garment. We have a robe in the Columbia collection that has Japanese ‘kimonostyle’ sleeves, Chinesestyle metallic embroidery, and colors that look Indian influenced. Right, a Asianinspired robe is worn over a slimmer skirt in this outfit by Madeleine Laferriere from Via. With that said, this all has a ‘trickledown’ effect. Known she’s seeing those looks in magazines, and hereupon copying them herself. Then, it’s not that the middle class woman in America was buying Poiret.

Some were less shapely and more sack like, and after that others had a lampshade look with a hoop around the hip area. Lampshade silhouette was pretty ‘avant garde’. It’s a well we had a lampshadestyle dress, when I worked with the collection at North Dakota State University. You see, they generally went just past the hip, or fell somewhere between the knee and hip, and flared out around the hoop. Clearly this was widespread, she lived in orth Dakota, its owner being that the dresses were quite dumpy by today’s standards, when costume designers create garments for movies set in the ’20s.

The dresses were these boxy, boyish shapes, and to our contemporary eye, that doesn’t look very chic. In the 21st century, we look for to see a bit more of the body, and designers weren’t really showing much of it as women didn’t need to look womanly. They’re climbing in and out of cars more, and so they need a shorter skirt to get in and out unescorted. Nonetheless, women were going places ‘un chaperoned’ and were just more physically mobile. There’s a gentleman or driver to look for to look super feminine. You can’t have those long gowns constricting your legs, in a car, you could drive yourself.

It was also among the first times women were moving more than just their feet when they danced. Party dresses of the 1920s were made for movement, like the designs at left from the National Suit Cloak Co, with their dropped waists and unstructured tops. Via wikipedia. They’ve been moving their whole bodies. Now please pay attention. They wanted to show off that movement. A well-known fact that is. You need a shorter skirt to do those moves as well as to show off your body while doing them. This is the case. Alice Joyce. They’re moving their hips, They’re moving their legs.

It’s funny as long as the fabrics for party dresses in the 1920s were typically really fine, thin silk chiffons, or weighted silk satins. It’s planning to deteriorate really quickly, plus they’ve been covering these extremely fragile fabrics with heavy beads, when you soak fabric in metallic solution. With that said, they literally used to soak the satin in metallic solution, that would add weight to the garment and give this thin silk satin a more luxurious drape and movement. With stylish, some were completely covered in beads, from shoulder to hem, Art Deco designs in the beading. Notice that they’re quite modest, They’re still party dresses.

Not most of them exist anymore, at least the dresses that were well worn.

While creating an even more stimulating effect when she was dancing, when the garment went into motion, that dress was activated. Photographer George Hurrell captured the glamour of Old Hollywood styles, that amped up the sex appeal using halter tops and low cut backs. Publicity stills taken of Norma Shearer (left, in and Jean Harlow (right, in flaunt their sultry, ‘bias cut’ silk dresses. Seriously. They would fall apart.

You turn the pattern on a diagonal and lay it on to the fabric, with the bias cut. It hugs the body more closely since That changes the fit of a garment. Of course they’re now diagonally on the body, The lengthwise and crosswise grain are not horizontal or vertical on the body. Right, therefore this Vionnet gown shows how lowcut backs contrasted with excessively low hemlines, even in the Depression era when extra fabric was a true luxury. We go from the boxy, boyish shape of the ‘20s to a very womanly shape. When you refer to the Old Hollywood look, generally most people are thinking of the 1930s, and it’s the idea of these silk satins or velvets that cling to the body. Via metmuseum. Considering the above said. It hugs your curves, since there’s more stretch on the bias. Left, so this 1930s advertisement shows the diagonal seams and limited ornamentation of popular biascut dresses.

So French designer Madeleine Vionnet is the most credited with mastering the bias cut. As long as they wanted that freedom once in a while, they cut back a whole heck of a lot more on everyday dresses and splurged a bit more on their party dress. Hollywood movies in the 1930s are all about escaping the troubles of the economy and everyday life. It’s this culture of escapism. Throughout the daytime, everyone had to be very utilitarian. You will think they’d use less fabric, yet the bias cut actually uses more fabric, since we were in the Depression. For example, they really wanted to live it up, when people went to a party.

Evening attire needed to be glamorous, in contrast, you also had this patriotic duty to be beautiful for the soldiers.

You needed to wow the boys. Your party dress needed to be a showstopper. Seriously. It’s amongst the only periods that you see sleeves on dresses. For practical purposes, amongst the things they’ve been rationing in the course of the war was heat, by turning the temperature down to cut back on energy use, women needed sleeves. For example, there were restrictions on how much fabric you could buy or how much fabric going to be in a particular dress, though there’re the majority of examples of Hollywood and highend designers completely flouting those rules. Evening attire that tried to make women look beautiful and feminine, it was this duality of a masculine style for day and for work.

Even if it used a great deal more material than a setin sleeve will, the dolman sleeve was very popular.

For the most part, they’ve been cutting back on fabric, that definitely flouted the law. That said, many garments were decorated in buttons, sequins, or anything people could get their hands on to embellish a party dress. Now please pay attention. There were no restrictions on embellishments like sequins, or spangles as they would’ve called them, or elaborate, rhinestone covered buttons. There’s excess fabric under the arm, It’s all one piece. It’s similar to a loose, kimono style sleeve without any seam between the bodice and the sleeve.

That style dominated throughout the 1950s, especially for the middleclass woman in America. It’s really the first time we see Middle America wearing these cute, strapless, promstyle dresses. For example, like that set from Right, Left, pattern makers like McCall’s and ogue made the New Look available to middle American women, teenage girls at a high school dance in monochromatic, multitextured dresses, circa Via shorpy. New Look worked its way down to her, she was buying that ‘trickle down’ fashion, she was not buying Dior. That was a popular party dress style, a strapless dress with a very full skirt and a tiny waist.

You definitely see them in the ’50s, mostly small florals, novelty prints got started in the 1940s.

It wasn’t just one fabric and one color. So, left, Twiggy wears a pink felt shift dress on the cover of Seventeen magazine in Right, Yves Saint Laurent’s Mondrian dress embodies the quintessential mod look, circa Via metmuseum. It’s not anything loud. It’s always small and feminine and pretty. It would probably have some netting, lace, silk satin, or rayon on it, if the dress was one color. They wanted to have some sort of visual variety.

Did you know that the 1960s were like Heck no! They have been wearing mod suits, the Beatles weren’t wearing party dresses. Oftentimes it was the first time you had skirts above the knee. As a result, your party dress was probably a basic, Aline shift dress that hung its weight from the upper body. Young women wanted to wear short skirts. Of course we’re planning to focus on the youth of today. It went straight from the shoulder to the hem, or had an A line effect, it didn’t necessarily hug the bust. Just keep reading! You had artists like Andy Warhol, and his muses were wearing very mod styles. Anyways, the pop art of that period and the music people listened to were all converging and influencing fashion, and fashion was also influencing them. They’ve been pretty boxy. We’re tired of these ‘used up’, ‘oldfashioned’ ideas. So, you also had a more streamlined effect as mod influenced fashion in all areas.

The 1960s are interesting as long as you start to see a speeding up of trends.

By the end of the ’60s, mod was almost dead, and fashion had moved onto this very chunky embellishment, especially for party dresses. We recently had an one shoulder dress from the ’80s donated to the Columbia collection, and the shoulder with a strap has these giant fabric flowers. Also, you’d have this big, chunky, embellished cuff on your dress, instead of wearing a bracelet. It’s really cool that they have been bringing a lot attention to that one shoulder with all this fabric, It’s a little jarring to the eye today. They’re huge, and there’re plenty of them. Designers incorporated these ‘mocknecklaces’ that were actually sewn onto the dress around the collar or the neckline. Women wanted heavier, more bohemian embellishments on their dresses, instead of streamlined.

Left, so this Yves Saint Laurent ensemble from 1980 raised the bar for bold shoulder detailing. It’s that idea of the fashion cycle, that we look for to see what we haven’t seen in a long time. Via metmuseum. As Lycras and spandexes were entering the market in larger numbers, you also had loads of fabrics with more stretch to them so tight party dresses were really popular. Right, Iman models for YSL’s Rive Gauche line in 1980, that incorporated bright colors and excess fabric just beneath the shoulder line. Basically, we turned to super bright and neon colors, in the ’80s, people wanted something fresh and different. In the 1970s, the colors were really muted and muddy, these earthy rusts and oranges and greens.

I actually lived through much of what was represented here, as a Boomer born in 1951.

By the way I lived through much of what was represented here, as a Boomer born in 1951. Very good interview questions! Accordingly the organization by decade is a great presentation of the fashions of the times. And therefore the organization by decade is a great presentation of the fashions of the times. Very good interview questions!

We Pride Ourselves On Offering A Great: Scala

admin    cute cocktail dresses     article on fashion, fashion magazines, fashion sites, latest fashion trends, latest trends in fashion

You’ve come to right page, if you’re looking for perfect dress.

We pride ourselves on offering a massive, well curated collection at every price point to meet the needs. Known we haven’t forgotten little grey dresses for a night on town. Nevertheless, you’ll love our variety, if you like a bold print or vibrant colors for a head turning look. That’s right! While evening dresses, career dresses, and dresses for exceptional occasions like prom and weddings, this has been why we offer an assortment of casual dresses. We understand you’re a complex woman, and your own wardrobe needs to reflect our special sides existence. With that said, you never need to worry about size with us since we carry a wide range of sizes including plus, petite, and juniors.

Size ranges, we have just about every silhouette imaginable from classic ‘Aline’ dresses to ‘bohemianchic’ maxi dresses and lofty rather low hems.

Whether you’re purchasing gifts for adored ones or need advice regarding ‘on trend’ looks for season, our Customer Loyalty Team is dedicated to all of your shopping needs. Lucky shopping! Shop with confidence with free shipping one and the other ways! We as well carry commonly confused sheath and shift dresses.

It is another well known styles involve wrap dress, shirt dress, tank dress, and empire waist dress. That’s interesting. Sheath dresses are more fitted to body while a shift dress was usually more relaxed around waist and has straight lines. You’ll never again be in need to settle for number two or have a tough hassle return. Basically, you usually can complete your own outfit from head to toe, we have you covered in terms of accessories. And handbags. You never need to wonder what to wear, we carry all of these styles and more. Let me ask you something. What areyou waiting for?

You usually can complete the outfit from head to toe, we likewise have you covered if it comes to accessories. And handbags. You never again be in need to wonder what to wear, we carry all of these styles and more. You’ll never again need to settle for number 2 or have a sophisticated hassle return. Size ranges, we have about every silhouette imaginable from classic Aline dresses to bohemianchic maxi dresses and ‘highlow’ hems. That’s where it starts getting interesting, right? Reputed styles comprise wrap dress, shirt dress, tank dress, and empire waist dress. That said, whether you’re purchasing gifts for adored ones or need advice regarding on trend looks for the season, our Customer Loyalty Team is probably dedicated to all of your shopping needs. Shop with confidence with free shipping all ways! Good shopping! What areyou waiting for? Some info could be looked for effortlessly by going on the web. Sheath dresses are more fitted to body while a shift dress is more relaxed around the waist and has straight lines. We carry the commonly confused sheath and shift dresses.

Allison Parris herself isn’tain’tain’t the typical hippie.

Her dresses run from 700 for a beaded fringe dress. While entering her charming workshop for interview clad in her own design a formfitting blackish dress with beading on sleeves and sky big nude heels for ages legs, s tall and thin enough to be a model., without any doubts, with careful construction, to my eye the quality looked equal to any other designer dress, lofty quality fabrics and sumptuous embellishments. Having the dresses made in newest York and ‘customordering’ specific sustainable fabrics jacks up cost a bit. Notice that by her own admission, she doesn’t have enough of a community essence to be a frequenter of farmtotable restaurants in the city for brunch, and held a Coke Zero in her hands throughout the interview. I’m sure it sounds familiar.|Doesn’t it sound familiar?|Sounds familiar?|does it not? Her newest Year’s resolution is to get a coffee maker and mugs for the workshop so diminish on disposable waste.

line primary point isn’twas notain’t to make a Earth Day statement. Then, Parris tempts women with good girly party dresses, practically sneaking the organic silk onto their bodies unto they could say, Ooohhh, sparkly! She hopes to be in larger department stores in the next 4 or 3 years. Ninety percent of our stores don’t care that we’re eco, Parris says. For now, Parris has usually been easing into the typical light green stores, who aren’t fairly sure how to fit her exuberant styles next to typical yoga pants and drab, earthy sweaters. Although, Allison Parris line employs anywhere from 6 to 11 people, according to season, and sells mainly to short boutiques here and in Middle and far East. You will search for a few of her designs at NYC greenish fashion destination Kaight this spring.