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I also have some cotton and wool tights that I wear.

I live in northern Sweden with long cold and dark winters and although so it is my secon plain winter I have worn skirts for plenty of my life and I do not find winter wear challenging.

I own two wool pairs knickers which go to just over the knee and that keep my more private parts warm. They work out very well for me and they seem to make the entire body warmer here’s a link to my blog with a picture of näbbskor. I wear either my ‘näbbskor’, a traditional Swedish shoe with a beaklike e which are light and easy to wear but not very warm or very warm modern shoes from a Finnish company. They are blackish and quite plain but modern in style. I summer I wear sandals and go barefoot. I hate wearing cotton socks so once the wool ones are there’re plenty of them. It’s really cool that they’ve been bringing very much attention to that one shoulder with all this fabric, It’s a little jarring to the eye today. Very good interview questions! Oftentimes I lived through much of what was represented here, as a Boomer born in 1951. Organization by decade is a great presentation of the fashions of the times. I learned much here and am very appreciative of this particular well written article. Anyways, now that the jeansandTshirts plague has reached our fancy restaurants, cocktail parties, and nightclubs, it seems as though only cares about dressing up anymore. Have you heard about something like that before? Yet, as fashions become increasingly casual, the perfect party dress is like a secret weapon turning anyone into a rose among daisies. Whenever creating an even more stimulating effect when she was dancing, when the garment went into motion, the entire dress was activated.

They would fall apart. Not a lot of them exist anymore, at least the dresses that were well worn. With more ‘ready made’ clothing, fashion production became easier and cheaper. For example, more than a hundred years ago, you wouldn’t have had enough clothing to designate certain dresses for special occasions. Moving into the 1910s and ’20s, we started to see major upward mobility. You could now have specialized clothing for different occasions, including parties. Middle class women could consume, the economy was great. Basically the 1960s were like Heck no! Now let me tell you something. Your party dress was probably a basic, Aline shift dress that hung its weight from the upper body. It went straight from the shoulder to the hem, or had an A line effect, it didn’t necessarily hug the bust.

You also had a more streamlined effect as mod influenced fashion in all areas.

We’re preparing to focus on the youth of today.

We’re tired of these used up, old fashioned ideas. They have been pretty boxy. It was the first time you had skirts above the knee. Young women wanted to wear short skirts. Left, that said, this 1930s advertisement shows the diagonal seams and limited ornamentation of popular bias cut dresses. Right, now this Vionnet gown shows how ‘low cut’ backs contrasted with excessively low hemlines, even in the Depressionera when extra fabric was a true luxury. Via metmuseum.org. In the 1970s, the colors were really muted and muddy, these earthy rusts and oranges and greens. Fact, we turned to super bright and neon colors, in the ’80s, people wanted something fresh and different.

That we look for to see what we haven’t seen in a long time, it’s that idea of the fashion cycle so tight party dresses were really popular.

Publicity stills taken of Norma Shearer (left, in and Jean Harlow (right, in flaunt their sultry, biascut silk dresses.

Photographer George Hurrell captured the glamour of Old Hollywood styles, that amped up the sex appeal using halter ps and lowcut backs. As long as there was still this notion that the foundation had to be good, they all have ‘builtin’ boning, the collection I currently work with has some cheap 1950s dresses, things you would’ve bought at an inexpensive department store. Literal foundation of the garment is of much lower quality, not only are the rhinestones and fabrics cheaper today.

You can not see corsetry built into a dress anymore, unless you’re buying expensive formalwear.

Even when it used a lot more material than a set in sleeve would, the dolman sleeve was very popular.

It’s similar to a loose, ‘kimonostyle’ sleeve without any seam between the bodice and the sleeve. Oftentimes many garments were decorated in buttons, sequins, or anything people could get their hands on to embellish a party dress. There’s excess fabric under the arm, it’s all one piece. For the most part, they’ve been cutting back on fabric, that definitely flouted the law. Keep reading. Instead of better tailoring or putting in boning or a petersham, nowadays, designers make up a lot through stretch fabrics, that was like a waistband that was put inside a dress to attach the bodice to your waist.

Your foundation must be much lower, and there was no need to hike up the dress. While meaning they weren’t being held up at the bust it was the woman’s waist and her hips that held up the dress, most strapless dresses in the 1950s were boned and had petershams. Via wikipedia.com. Party dresses of the 1920s were made for movement, like the designs at left from the National Suit Cloak Co, with their dropped waists and unstructured tops. You should take it into account. Via metmuseum.org. Left, with that said, this Yves Saint Laurent ensemble from 1980 raised the bar for bold shoulder detailing. Right, Iman models for YSL’s Rive Gauche line in 1980, that incorporated bright colors and excess fabric just beneath the shoulder line. Generally, they generally went just past the hip, or fell somewhere between the knee and hip, and flared out around the hoop. There is more information about it here. Some were less shapely and more sacklike, and later others had a lampshade look with a hoop around the hip area.

Clearly this was widespread, she lived in North Dakota, its owner another kind of silhouette than we’re familiar with, a popular party dress style was a looser tunic worn over a slimmer dress underneath.

We had a lampshade style dress, when I worked with the collection at North Dakota State University. So lampshade silhouette was pretty avant garde. 1960s are interesting as you start to see a speeding up of trends. You see, by the end of the ’60s, mod was almost dead, and fashion had moved onto this very chunky embellishment, especially for party dresses. Just keep reading! You’d have this big, chunky, embellished cuff on your dress, instead of wearing a bracelet. Normally, women wanted heavier, more bohemian embellishments on their dresses, instead of streamlined. Via shorpy.com.

Socialite Betsy von Furstenberg and friends getting dressed in a Look magazine article from When the strapless dress first became popular, its structural foundation was much stronger compared to modern dresses of stretch fabric. Just like this set from Right, left, pattern makers like McCall’s and Vogue made the New Look available to middle American women, teenage girls at a high school dance in monochromatic, multi textured dresses, circa Via shorpy.com. Whenever decadedefining looks, with celebrities plucking gowns from past designer collections or straight from the racks of vintage stores, vintage ain’t just for commoners.Retro looks are regularly featured on the light red carpet.with so many classic dresses to choose from, what are the most stunning. You can find chic, ‘wellmade’ frocks, and afford them, in the course of the daytime, everyone had to be very utilitarian. Remember, they really wanted to live it up, when people went to a party.

I know that the French designer Madeleine Vionnet is the most credited with mastering the bias cut.

It’s this culture of escapism.

Hollywood movies in the 1930s are all about escaping the troubles of the economy and everyday life. You would think they’d use less fabric, yet the bias cut actually uses more fabric, since we were in the Depression. Needless to say, that was a popular party dress style, a strapless dress with a very full skirt and a tiny waist. You see, that style dominated throughout the 1950s, especially for the middleclass woman in America. New Look worked its way down to her, she was buying that trickledown fashion, she was not buying Dior. It’s really the first time we see Middle America wearing these cute, strapless, prom style dresses. They’re now diagonally on the body, The lengthwise and crosswise grain are not horizontal or vertical on the body.

It hugs your curves, since there’s more stretch on the bias.

It hugs the body more closely since That changes the fit of a garment.

You turn the pattern on a diagonal and lay it on to the fabric, with the bias cut. When you refer to the Old Hollywood look, generally most people are thinking of the 1930s, and it’s the idea of these silk satins or velvets that cling to the body. We go from the boxy, boyish shape of the ‘20s to a very womanly shape. There’s a gentleman or driver to better party dresses of the 20th century, looks as show stopping day as when they first hit the scene.

Pop art of that period and the music people listened to were all converging and influencing fashion, and fashion was also influencing them.

You had artists like Andy Warhol, and his muses were wearing very mod styles.

They’ve been wearing mod suits, the Beatles weren’t wearing party dresses. It was also amid the first times women were moving more than just their feet when they danced. They’re moving their hips, They’re moving their legs.

They wanted to show off that movement. They’ve been moving their whole bodies. You need a shorter skirt to do those moves and on p of that to show off your body while doing them. These dresses hug the breasts, and that’s not a very good foundation for a garment.

They fal off, you have these beautiful dresses that the bride and bridesmaids are constantly hiking up being that they’re attached with cheap stretch fabric. I think that’s the bane of almost any wedding photographer’s existence. In the 21st century, we look for to see a bit more of the body, and designers weren’t really showing much of it as women didn’t seek for to look womanly. Actually the dresses were these boxy, boyish shapes, and to our contemporary eye, that doesn’t look very chic. On p of that, they always have to slim them down as long as the dresses were quite dumpy by today’s standards, when costume designers create garments for movies set in the ’20s. They wanted to look streamlined, They didn’t seek for to look super feminine. It’s not a big deal when only the people at that event see your dress. People wouldn’t even know you wore identical dress repeatedly, you didn’t have as many parties to go to. You weren’t will be photographed and have your pictures spread around. So if you were wealthy enough to have a party dress, the party dress is definitely more casual now, and there’s a much wider kinds of silhouettes and styles.’One hundred’ years ago, you didn’t own a huge variety.

As long as it didn’t matter if you wore identical dress, most middleclass women should have had one good dress to wear for evening. Weddings, and similar formal occasions.You didn’t have dresses for different occasions.

They wanted to have some visual variety.

It’s not anything loud. Also, it wasn’t just one fabric and one color. You definitely see them in the ’50s, mostly small florals, novelty prints got started in the 1940s. It would probably have some netting, lace, silk satin, or rayon on it, if the dress was one color. It’s always small and feminine and pretty. There wasn’t a whole lot of purity in fashion it was an amalgamation of all these cultures rolled into one garment.

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