Evening Dresses With Sleeves: Fashion Trends For Winter/Spring 1912

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I’m getting ahead of the game and snapping up whatever cheap designer dresses I can find online for the summer closet.

I don’t need to be caught short handed when the hot parties are in full swing.

If I can get a few steals now before the pickings on the designer racks get thin so I’ll be golden. You can tell ’em I said so -things are looking up and I’m might be looking good. You better don’t get in my way, girls -those cheap designer dresses are mine. Construction of evening gowns included two key points not immediately visible.

They are mounted to a fitted cotton bodice lining that is often boned, that supports all those floating fabrics, while the gowns of the period look diaphanous and draped.

Check Nancy Bradfield’s Costume in Detail she has some very clear diagrams that will unconfuse you, if such a closure seems confusing.

Created from cotton webbing or grosgrain/petersham ribbon anywhere from 54” wide, the staybelt provided a further fixed foundation to attach the various layers.

Evening gowns generally closed in a Z formation. Bridget Conlogue’s article on sewing dresses from this era has excellent explanations of this and identical period construction techniques. Plus, images of evening gowns featured in Vogue in the course of the same period, For all those making Titanic era costumes who look for to be completely ‘uptotheminute’, I’ve compiled a list of new trends mentioned in Vogue magazine from January to March 1912 either general or specific to evening wear. Beneath their gowns, women wore corsets that began under the bust and extended well down over the hips. It’s a well underneath, women wore combinations or long, princess line chemises. Bust bodices or brassieres supported the bust. In case you are going to maintain a slim silhouette, underwear was trimmed with flat bows and bands of lace.

Still lower than our modern silhouette, they could’ve been boned or unboned. Provided a soft foundation that was higher than the Edwardian monobosom.

These look somewhat like corset covers sleeveless, almost white cotton garments and ended anywhere between the bottom of the bust and the waist.

Columnar line, corsetry was less focused on restricting the waist and more on smoothing the hip, as long as the goal was a long. Oftentimes as we are a very small amateur company we can’t afford to make the costumes particularly accurate but you gave me loads of ideas for converting more modern long dresses into something approaching the style of the period.

Quite a few thanks. I am researching costume for a production of a Inspector calls and found this an excellent informative site. Most dresses included two skirts, one tunic skirt that matched the bodice that usually ended between the low hip and the knees, and one ‘anklelength’ trained underskirt. V necklines were most common, but deep versus with a horizontal inset, round, and square necklines were also worn, bodices featured short sleeves. So waistline itself was loose and softly defined with a sash or belt. Surplice/crossover bodices were also popular. Evening dresses were made from delicate, sheer fabrics embellished with beads, lace, and similar trimmings that floated over a silk underlayer. It is while the natural waistline was just starting to come into fashion, the high waistline was popular from 1908 through 1912, Waistlines gonna be placed anywhere between just under of the bustline and the natural waist. Then again, with the tunic overskirt comparatively fuller, the underskirt was generally slim. Besides, the general outline for an evening dress my be an underdress and tunic effect. Certainly, inspired by the Ballets Russes, designers infused the new look with a Orientalist aesthetic rich fabrics in vibrant colors that followed the cut and drape of Asian garments similar to the kimono while simultaneously referencing the Directoire period.

Other important designers of the era were Paquin, Lucile, Doucet, Fortuny, Lanvin, and Callot Soers.

Beginning in 1908, designer Poiret led this new look which featured narrower bodices, slim skirts, and raised waistlines.

Basically the early years of the 1910s were an era of transition in fashion for women. Women’s silhouettes shifted from the voluptuous Sbend to a straighter, lighter line that seemed more natural and modern to contemporaries, as the Edwardian era waned and the Art Deco era approached. Let me tell you something. While consisting of a tailcoat, white pique waistcoat, and bow tie, gentlemen wore almost white tie. Anyway, for women, with that said, this consisted of an evening gown, no hat, long almost white gloves, kid leather or satin shoes to match the gown, opera bag, fan, and scarf.

First class passengers will wear the most formal option for dinner attire, dinner on the Titanic was the most elegant event on the most luxurious ocean liner.

With winter over but spring styles just beginning to be announced in Vogue, march and early April were a transitional period during this era.

Her first class passengers boarded with trunks full of expensive, beautiful clothes, when the Titanic set sail in April 1912. Most had probably been custom made in Paris, London, or the United States in the previous year. On p of this, this info is very helpful. I’m going in period clothing for opening night of Titanic, the Musical. As a result, Tx area, stop by the JEWISH COMMUNITY CENTER, ZALE AUDITORIUM, 7900 NORTHAVEN RD, DALLAS, TX, Show dates, Thursday, Feb ’21 30pm’, Sun, Feb 24 2 4″ pm and 30 pm, Thurs Feb 28 30 pm, Sat, Mar ‘2 8pm’, So if you near the Dallas. Hope to see you there! Decorations were often placed asymmetrically.

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